Do you ever feel uncertain of grammar or punctuation when writing reports? This is not a thing which can be fixed overnight but perhaps subscribing to a site like Daily Writing Tips might be a help. I’ve received a daily email update from them for quite a while now and, quite frequently, things come up about which I’ve been uncertain for years. The email subscription link is at the top right of their homepage.
I recently took part in some interesting research in that intriguing Venn diagram intersection of music/language/psychology.
To ensure that the tests weren’t skewed by knowledge of what was being studied (so called Observer Effect) I simply followed instructions and asked later. Basically I sat at a piano keyboard prepared to sight-read various short musical samples for right hand only. My eyes were tracked so that the researcher could see exactly what I looked at and for how long.
One thing which became clear was that I looked down at my hands too often, even although there was a square on Middle C and a thin Blue Tack ridge on the G above that. The span of notes involved was a 13th ( from the G below Middle C to the E above the next C up).
Once it was all over, it was explained to me that the research was looking to see whether our eyes would linger over odd and incongruous moments the way they do when we read language. For example, “the cat sat on the sat” will, unless you are a modernist poet, make your eyes linger on the final word, which doesn’t, in any conventional sense really “fit”. Musical equivalents included, for example, an excerpt in the key of D in which the sharps which qualified it as ‘being in D’ were cancelled by natural signs. Interestingly, the weren’t many rhythmically weird moments – probably because that would have made the reading tricky. What was being sought was our reaction to oddness – not difficulty.
When I find out more about the results I will ( with the blessing of the researcher) post more.
Those studying composing/arranging and listening in SQA Music exams pretty soon come upon variation form. If you’re lucky enough to have an iPhone or iPad you can download a free app containing a recording by Kimiko Ishizaka along with a score (with moving cursor) of one of the best sets of variations of all time, Bach’s Goldberg Variations.
Well done and many thanks to all the members of the East Lothian Guitar Ensemble – one of six ensembles to take part in last night’s excellent Showcase Concert. It was a full house in a newly vamped Brunton Hall. even although we had a ‘hard hat tour’ at an In Service in August, the place was barely recognisable – what a transformation. For those who haven’t seen the place, let me attach a few pictures:
Honest debate impels me to include points of view which do not match my own. In this regard here is an article in which it it stated that parents who invest in music lessons for their children, in the hope of improved academic ability, are wasting their money. Whether or not you agree with this does not change the fact that having instrumental lessons, not through love of music, but in the hope of improving other abilities does seem an odd approach – why not just study harder?