Tag Archives: fMRI

Free Will & Sight-Reading

Catching up with a podcast of Start The Week, I was delighted to be pointed in the direction of The Mysteries of the Brain – a series of programmes on BBC World Service by Professor Barry Smith.* In his discussions with Andrew Marr, he referred to experiments carried out by John-Dylan Haynes, which pointed to the illusory nature of free will. Volunteers were asked, repeatedly, to decided whether to press a button with their left or right hand while in an fMRI scanner. Evidence of brain activity, which enabled those reading output to predict with 100% accuracy which hand would be used, appeared up to 7 seconds before the volunteer was aware of their conscious choice. John-Dylan Haynes describes the situation as follows:

Your decisions are strongly prepared by brain activity. By the time consciousness kicks in, most of the work has already been done.
I couldn’t help wondering what kind of activity would be produced by someone sight-reading this:
[kml_flashembed movie="http://www.youtube.com/v/nuvzMq0YZ3k?rel=0" width="425" height="350" wmode="transparent" /]
I wonder if, one day, we’ll have much more of a handle on what helps us turn a skill, with which we are not born, into a learned reflex and of ways in which this can be done more effectively. Perhaps until then we’ll need to content ourselves with the following equation:
10,000 hours = expert

You can listen again to Professor Smith’s series here.
You can see John-Dylan Haynes lecture on this material here.

* I first came across Professor Smith in an excellent episode of In Our Time on Ludwig Wittgenstein.

In-Tune: Music with the Brain in Mind – 1

When I began this blog in May 2006, I wasn’t expecting any particular theme to emerge but, when asked recently to describe the content, found myself saying that, while I endeavour to maintain a core content of posts on music and music-education, there are also many on the overlaps between music, language and science and, hopefully, their relevance to learning & teaching. So imagine my excitement upon receiving email notification of an event at the Wellcome Collection entitled Tune-In: Music with the Brain in Mind – exploring improvisation and well-being. This reach across the two cultures (a successor of Head On: Art with the Brain in Mind) was the fruit of a collaboration between artakt, Central St Martins, University of the Arts, and new recording label Plushmusic (connected, I assume to the festival, Music At Plush). The day comprised two seminars (each featuring a panel of scientists and musicians), workshops and late afternoon performances of improvised music in the wonderful acoustic of the one of the Wellcome Collection’s galleries. Neither Napoleon Bonaparte’s toothbrush nor Florence Nightingale’s moccasins ever enjoyed such harmonious surroundings.

Professor Marina Wallace (Director of artakt) introduced the morning session entitled The Science of Improvisation. On the panel were: Continue reading In-Tune: Music with the Brain in Mind – 1