Tag Archives: Sergio della Sala

Mirror Neurons

I first came across the idea of mirror neurons in February 2001. How do I know this with such certainty? Because I wrote to New Scientist about the article concerned. The notion has featured recently as several pupils are playing pieces with a moto perpetuo right hand pattern. Here are three examples of such pieces currently being studied by pupils:

Ana Vidovic playing Etude No. 1 by Heitor Villa Lobos:

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Ben Kearsely playing West Coast* by Helen Sanderson:

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Peo Kindgren playing Estudio No. 6 by Leo Brouwer:

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The essential thing in learning such pieces is to master the right hand pattern, by playing it without any distractions from the left hand. The hope in so doing is that the pattern will soon run on auto-pilot. That way, pupils will not be distracted when the left hand re-enters**. As such patterns are soon memorised, pupils are free to look away from the music and I ask them to look at my right hand while they continue to play the pattern. It may be my imagination but, almost without exception, pupils seem to relax the hand and play in a more economical way than might normally be the case. Could mirror neurons be at work here?

* I would describe this piece as the single most successful teaching piece I know

** An interesting half-way stage between playing without left hand and including the left hand is to introduce an unchanging chord shape which descends one fret-at-a-time. This way the hands can begin to come together in a way which falls somewhere between having no left hand involvement and having very varied (and therefore distracting) left hand content. A diminished 7th chord shape serves this purpose very well and, in fact features in the Villa Lobos Etude(from 0:41 to 1:17 on the Ana Vidovic video above)

I should also point out that some doubt has been cast on the theory of mirror neurons.

Further links on the topic of mirror neurons:

Wikipedia article

V. S Ramachandran 

 And here are two short videos on the topic:
 
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And more generally – Sergio della Sala on neuroscience and learning about learning.

You Must Remember This…

I once debated with an intelligent and able amateur musician what I believed to be going on when I was playing from memory – which is most of the time. I claimed that I was playing by ear and monitoring accuracy with my memory. He claimed the opposite. Listening to Sergio della Sala’s talk at last year’s SLF I was interested to hear him suggest that our memories are not so much accessed as recreated and that the solidity of each memory is destabilised in the accessing.

As if there weren’t sufficient things to sustain the interest in memory as we know it, there is also the increasing phenomenon of outsourcing our memories to online and external data storage facilities – a kind of prosthetic memory. Dr. Susan Blackmore discussed the effect this trend might have on our memories last night on Radio 3’s Sunday FeatureRemember, Remember. One interesting application might be to help remove the distress caused by uncertainty in sufferers of dementia. You can listen again to the programme until Sunday 28th. Dr. Blackmore’s website also sports an article on the programme from the Radio Times

Returning to the memory monitors ear/ear monitors memory debate I’d say from, watching pupils over the years, that both processes are equally in evidence – although rarely in the same person.