IB Philosophy IA on the ontological argument?


I’ll come back and add to this at some point but if you’re studying IB Philosophy of Religion it should be clear enough…

religion and intellience…

two ways of looking at things in True Detective

Screen Shot 2014-07-18 at 14.20.59

so much going on here that I don’t have time to write about it all yet… but coming soon… watch the whole series – it is amazing!

Screen Shot 2014-07-18 at 14.20.24

God and right and wrong…

This is a wonderful clip for thinking about religion and ethics. For those not familiar with The West Wing the bald gentleman plays Toby Ziegler, a senior aide to the President. In this episode, President Bartlett is face with a decision on whether to pardon a criminal due to be executed.

Non-religious people tend to think that religious people suppose they have some sort of ‘monopoly’ on truth when it comes to ethics, but this clip shows the ‘uncomfortableness‘ of religious ethics.

A long long time ago Plato recorded Socrates posing a difficulty for all those who believe right and wrong are what the god(s) say they are. This was the position held by the young and ‘upright’ Euthyphro.

American Beauty

To my shame I only watched this recently and it was, in my humble opinion, a quite brilliant picture. Each of the main characters would be more than sufficient for an Internal Assessment or even an Extended Essay in IB philosophy.

Where to start though…? Again, this is the sort of film that will draw one’s own philosophical persuasions to the surface, but I would expect that most philosophically literate members of the audience will be prodded into reflecting upon existentialism. Perhaps because of my own areas of particular interest, I found myself thinking about the relationship between Sartre and Kierkegaard. Kevin Spacey’s character undergoes a change. He realises he is free to do what he chooses and he begins a journey towards living authentically. Despite initial impressions, there is also an ethical dimension to this change; this is most noticable when he decides not to sleep with his daughter’s friend. This authenticity is placed in stark contrast with the Colonel, who moves in across the street. He is clearly deeply unhappy and (partly due to his belief in the Divine) is an emblem of the inauthentic life – lying to himself about even his own sexuality.

There are also a number of characters living by systems, or what Kiekegaaard would have called ‘ethical frameworks’. These people spend every part of their energy trying to realise a self-created goal. This, as the Dane points out, is a project doomed to failure: either one realises the goals and find this unsatisfactory (causing despair) or spends a whole life struggling and never reaching (equally as bad). Anyway before I feel myself being drawn into my own essay I will stop. Watch it.